Size Matters: Penis Size and Sexual Position in Gay Porn Profiles. I see these scenarios as performing an important function within gay porn by offering idealised spaces for the acts of pornography: voyeurism, narcissistic display and active/ passive role-play. Prison scenarios take many shapes in gay pornography such as the American penitentiary, the military brig, and the fantasised dungeon of the leatherman. The prison draws on a gay mythology of homosexual desire that has its origins in sources as diverse as the literature of the Marquis de Sade and Jean Genet and the erotic illustrations of Tom of Finland and Etienne. The significances of the prison are multiple. The paper will identify the prison as a highly eroticised all male environment, an arena where the active/passive dichotomy of gay pornography is staged and re-staged. The purpose of this paper is to discuss the significance of the prison scenario and its various permutations in the texts of American commercial pornographic video. In the slammer: the myth of the prison in American gay pornographic video.
JOSH GUTIERREZ GAY PORNO STAR SKIN
The workaday reality of making porn is contrasted with the skin trade's glamorous myths, and the idea that porn consumers prefer these myths to "truth" is outlined. The author examines the gay adult video industry from an insider's perspective. But such moments are too few and far between to make Women in Trouble anything more than a reminder that others have done this far better.Sex pigs: why porn is like sausage, or the truth is that-behind the scenes- porn is not very sexy. (Will somebody please get this firecracker of an actress a great leading role, like, now?). And some do, particularly Palicki’s emotionally bruised call girl and Gugino’s reflective porn star. Schematic conversations about the Virgin Mary’s sexual history and other such “quirky” topics consistently grind the film to a halt, leaving a largely talented cast to find the humor and pathos amid the twaddle. Even worse, Gutierrez lards his script with tons of bargain-basement QT nonsense. Bursts of vibrant color within the frame feel less like evocations of mood than the goosing of an otherwise-iffy visual palette (though he does do some nice things with doors and mirrors in the film’s first half, evoking the characters’ initial distance from one another). Women in Trouble’s aesthetically flip-flops between the staid and the busy. If Gutierrez cannot match Almodóvar and Tarantino’s sense for genre deconstruction, his attempts at aping their visual and verbal styles similarly fall flat.
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Emotional unraveling and physical disrobing are very much linked in the world of Women in Trouble. And while Gutierrez is always affectionate toward his female protagonists, he also concocts a suspiciously large number of scenarios in which they strip down to their skivvies. Just about every story in Women in Trouble, which also includes a psychiatrist (Sarah Clarke) who learns of her husband’s (Simon Baker) infidelity and a stressed-out aunt (Connie Britton) keeping a big secret from her niece (Isabella Gutierrez), gets the same half-sarcastic, half-sentimental treatment, flattening out any subversive wrinkles they may have had. (Women play conflicting gender roles? Get out!)īut if Gutierrez acknowledges the sexed-up conventions he’s working with, he also doesn’t push them forward in any significant direction.
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JOSH GUTIERREZ GAY PORNO STAR FULL
The film opens with Gugino’s Elektra Luxx filming a scene in full nun garb, and when she needs to coax a prison guard into letting her and her comely female companion out of the prison cell, she quickly strips away the habit to reveal an ornate lingerie getup underneath. It’s not that Gutierrez doesn’t get what he’s doing here if anything, he’s a little too on-the-nose. This proves particularly problematic given the male-fantasy archetypes that populate the film’s day-in-the-life narrative scheme: a pregnant porn star (Carla Gugino) a pair of call girls (Adrianne Palicki and Emmanuelle Chriqui) hiding out after witnessing a mob murder a flight attendant who has an ill-advised bathroom quickie with an aging drummer (Josh Brolin). Yet while Almodóvar and, yes, Tarantino have the bone-deep understanding of genre required to both exploit and explode gender stereotypes, Gutierrez flounders between celebration and exploitation, arch self-awareness and barely-contained bathos. Writer-director Sebastian Gutierrez seemingly wants to make one of those cheeky, affectionate odes to “women”-the filmic construct as much as the flesh-and-blood reality-that a certain subsection of male directors have attempted over the years. At a particularly rundown corner of Almodóvar Boulevard and Tarantino Lane, you’ll find Women in Trouble, a limp, forgettable collection of interlocking tales all centering on the eponymous narrative setup.